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What if fantasy became reality? That’s exactly what happens when Providence, an 11-year-old fangirl of “Earth Sentinels,” (a YA fantasy series about environmental heroes) is entrusted with a magic quill by the books’ enigmatic author. The quill makes everything it writes come true. Seizing her chance, Providence flies off on a dangerous mission to right environmental wrongs. When the quill grants her beloved guinea pig, Airbag, the power to speak and change size, Providence realizes she has a perfect side-kick for her adventure. Hilarity ensues as Airbag is full of unsolicited advice and is a gluttonous worrywart irked to have such a stubborn and irresponsible young girl as his mistress. Joining Providence and Airbag, will be a rogue’s gallery of surprising characters: a daring young African Sentinel; an Italian witch; a hapless group of monks; a legalistic flamboyance of flamingos and a dangerously hungry cat. Together, they’ll give her the tools she needs to face the quill’s formidable creator, a nefarious figure willing to wreak havoc and threatening all the Sentinels have done to protect our natural environment. To succeed in her quest, Providence will need to face her demons, come to terms with the premature loss of her parents, and harness the wild power of her imagination to – no pressure – save the world…

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Accoudé à la terrasse d’un café de ma ville, je n’ai pas réussi à voir une seule étoile à cause de la lumière des réverbères. “在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 多久没有看过天上的星星了？一天，亦或者是一周？还是，根本看不到了星星？还记得小时候仰望夜空的时候，北半球的星空图，总有一些星座你认识，但是如今还能找到么？你也有多久没有去郊外玩过，是因为没有时间，还是根本没有了“郊外”——无论到哪里都是人山人海，所有的景点都被开发殆尽——住在城市里的我们，还能逃往哪里？ Sylvain Vincendeau曾在法国“疯影（Folimage）”任职，后者曾是长篇动画《青蛙的寓言》等，短篇《和尚与飞鱼》的制作公司，是个集艺术与商业一体的动画公司，在法国动画史上享有不可磨灭的地位。 “在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 这就是这个故事的灵感来源。 这部电影作为对日常生活的思考，我确实只想要一些安静的生活，一些缓慢的节奏，让我逃离城市的纷扰。 采用了蜡笔的绘制，这部片子将重点放在了气氛的营造上，这就是为什么这部影片使用了一种广播中的杜比立体声。——只有一个主角，但是喧闹的环境音效却反衬出一种“鸟鸣山越静”的城市孤独感 最后，没有任何对话和华丽的技术，这些反而更能表达出电影的气氛 Sylvain Vincendeau 1998

Luc Farraud, a journalist and former hostage in Lebanon, lives alone in the wilderness. But his tranquility is disrupted by the arrival of Joss, a young cop, and Melka, a beautiful gypsy car thief.

A woman sitting in front of a screen: we do not know if it is day or night outside. In this place, the light of the screens dominates that of time. The inner voice of this woman recounts a solitary and reclusive life and her confusion in front of an old black and white photograph that she has just e

A fascinating immersion into the realities of the European Parliament, alongside three MEPs – Lara Wolters (Labour, Netherlands), Heidi Hautala (Green League, Finland) and Manon Aubry (LFI lead candidate for the June 9 elections, France) – determined to get the European Union to pass a law on the human and environmental responsibilities of companies, particularly multinationals. How, in just a few months, will they be able to secure a majority without watering down the text? While a dramatic saga came to an end in March with the adoption of this directive on the "duty of care," whose scope was nevertheless weakened by governments, the struggle of these three women sheds a harsh light on the issues at stake in the upcoming elections and the power relations within European institutions.

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A short clip of street life in the French village Chamonix.

《虚拟时间漫游者》是一部富有诗意且极具实验性的纪录片，它传承了法国导演Chris Marker经典作品《太阳消失的日子》（Sans Soleil直译为“没有太阳”，这里意译为“太阳消失的日子”）的血脉。影片采用拼贴式的非线性叙事手法，搭配着如呓语呢喃般的神秘女声，对记忆认知进行辩证思考，尝试定义时空，解构既定知识，深入探讨后现代社会中人类面对数字化发展所产生的各种去中心化、断裂性和不确定性现象。 电影的设定十分大胆，它从网络视角来审视人类生活。导演尝试设定一个“意识”，让其从错综复杂的网络系统中苏醒，并不断提出关于存在的重大问题，其中还蕴含着庄子“汝安知鱼乐”的东方哲理。回到问题的原点，科技究竟是未来文明的殿堂，还是会让人如蝼蚁般深陷数字编织的诱人罗网，最终困于迷宫般的墓地之中？ 本片运用蒙太奇手法营造出虚无的情境，构建抽象的语义，仿佛是《超体》（《露西》一般这样意译）、《云端情人》的哲学提问与探讨科技主宰人性的黑色小品《黑镜》的混搭。在这个个人行踪被大数据掌握的时代，看完这部影片，或许你对待手机的方式都会随之改变。此外，本片还利用虚实交映的手法采访了未来主义学者Raym...